We posted the Video earlier of Gareth 2011 S/S collection. Now we bring you the updates on what we are to expect this coming season.
If that hard edge would once have been equally applicable to Pugh's clothes, his Spring collection suggested a move toward something softer, though equally bewitching. Flowing kimono shapes were cut from a nylon printed with aluminum to give an extraordinary two-way mirror effect. Scales of rubberized neoprene added a snaky futurism to tops and pants. Pugh pulled off a feat of cutting in tunics he called "modular," the same front and back. And, keen as he was to avoid the sci-fi tag that has been continually attached to his clothes, he still showed sinuous silvery pieces that clung to the body like thirty-first-century armor.
What Hogben's film highlighted was the fluidity and movement inherent in Pugh's clothing. A runway could never have done that—nor could the lookbook images that were circulated after the screening.
Our pick
Our Pick
Check out the previous post HERE!
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